Well, now here's the biggie first of the season. Further study, super-successful director, budget mega-star cast of the whole, Lotsa glitter-n-glam ... In addition, following the success of films such as "great and SINGH IS WELCOME Kinng, the Akshay Kumar - Anees Bazmee jodi teams up for the third time, the promise of completing a hat-trick of laughathons nice. The expectations, therefore, is humungous.THANKS is said that is an extension of Shaadi NO. 1, NO ENTRY and Masti, besides the Hollywood movie The Seven Year Itch. The commonality is that all these movies talk about philandering husbands and extra-marital relationships. But grace is more a game of cat-n-mouse game between detective and a womanizing husband, incidentally recruited by both sides - the husbands and wives. A lot of scope for the moments of humor and fun, right?
Bazmee has successfully taken the magic mantra in recent years: Garnish spicy moments of light [gender], bright [local panoramic], some heart-pounding action and, of course, hip-swinging music. Sprinkle gags and blows. Throw logic out the window. Package a number of stars in the business. Voilà! The recipe for an artist vasool country is ready.
But grace is so inconsistent as the roads of Mumbai. Sometimes, the journey is as smooth as silk. But there are times when you encounter bumps in abundance during the course of this journey. In fact, as GAME last Friday, the two halves of grace are as diverse as chalk and cheese. While the first time through is thoroughly enjoyable and I really feel Bazmee is in his element, the second time - he should have been higher - it is distressing and unbearable. The writing is upside down at this time, so much so that on leaving the auditorium, not a smile but a smile.
As a last effort Bazmee is no problem, thanks also suffers from the weakness of the writing [screenplay: Bazmee, Rajiv Kaul, Ikram Akhtar, Nisar Akhtar and Rajan Agarwal], especially in its post-interval portions. Compounding the problem is that while on-screen characters try too hard to make you laugh, just do not react. The jokes are mild and situations of the three husbands of land far from funny. By the time the story reaches its conclusion, the viewer is already exhausted.
Raj Yogi and Vikram - best friends, business partners, and serial womanizing happily married! Happy because their wives have no idea their husbands beautiful bluff with all young and pretty that you can lay your eyes on. This picture perfect world is rocked when Raj's wife Sanjana begins to suspect that her husband and hires private detective soft, Kishan, tail him.
Kishan has built its reputation as a man who saves marriages by wayward husbands get amended. In this particular case, however, appeal to the overwhelming Sanjana means it can not be acting in your best interest. What follows is a crazy game of cat-n-mouse, trying to catch Kishan husbands with their pants down, literally, and just trying to get them out of reach.
brain-dead comedies and mindless masala movies appeal to a broad spectrum of movie-going audience, provided they stay engaged and most importantly, entertain Scene A to Z. But THANK runs out of gas after a great start. In fact, the first time is extremely energetic, with several nice moments. What is interesting is that the script packs an improbable situation after another and yet we can not keep smiling at the absurd. The timing is perfect!
But the film only goes downhill with the start of the second hour. The goings-on get no interest, the jokes fall flat, the harvest of songs without valid situations, the musical score is completely forgettable, the culmination right [of the three husbands to know the true identity of Akshay, the usual review the] final ... the spark is missing. There is a gift too [Mukesh Tiwari] and he, like others, has a wandering eye. This track was not required in the first place. Ah, there's also a reason behind Akshay operation of the company to bring errant husbands on the road - which has a past [Vidya Balan]. What was the need for this issue anyway?
Bazmee loves to entertain, but this rom-com that lifts the lid on extra-marital relationships and partners womanizer is not a patch on the immensely enjoyable No entry or even WELCOME and SINGH IS Kinng. Is the hyphen in the second when he fails. Pritam's musical score strictly correct. "No Pyaar Pyaar Lo" and "Razia" are just compositions, but the songs of the second half from the fast-forward variety. Ravi Yadav's cinematography captures the impressive premises of Canada very well. The film has a bright and great throughout. Sandra score Shirodkar background is sometimes convenient, but discordant in places like that.
Akshay Kumar is exceptional in the role of a counselor outside of marriage. His comic timing, as always, is hard to match. His performance is sure to be loved by the masses. Irrfan is known for his excellent comic timing and leaves an indelible mark once again, shining in the highlights of the company. In fact, even when the going gets tough [second], it is Irrfan that keeps you glued to the screen with the art of delivering funny lines, sentimental and cheesy with a straight face. Suniel Shetty helps some wonderful moments, while Bobby Deol seems out of place.
Sonam Kapoor looks uncomfortable. In addition, the makeup is not fair. She looks glamorous at times, but there are times when he seemed pale are hard to ignore. Celina Jaitley is limited. Why is your character disappears in the second half? Rimi Sen is the best of the lot. Their sequences are really fun with Irrfan. Mallika Sherawat sizzles on track 'Razia. Vidya Balan is lost in a cameo. Mukesh Tiwari, Rakhi Vijan and Ranjeet take any chances. Smita Jaykar is fair.
In general, THANK first hour has a very nice, funny, well-Irrfan Akshay acts as its trump cards, but weak writing their post-interval portions throws a wrench in the works. What could have been an honest take on the dishonesty not leave a mark over time. After Welcome and Singh is Kinng, Bazmee and Akshay you expect to do well, for the third time, but with foil the chances of a hat-trick. Bad!
